• Mozart : Requiem

Mozart : Requiem


Mozart’s Requiem, an unfinished masterpiece, blends the sacred and the timeless. At his death, only certain sections were complete, leaving the rest shrouded in mystery. The work has since captivated audiences through its performances and the aura of the notes left by the composer.


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Mozart
Requiem

Marie Perbost . Mathilde Ortscheidt . Bastien Rimondi . Edwin Fardini . José-Antonio Salar-Verdú 

Chœur de l'Opéra Royal
Orchestre de l’Opéra Royal
Théotime Langlois de Swarte Conductor

An unfinished masterpiece, a musical testament, a timeless sacred composition that transcends the religious context – there is no shortage of superlatives to describe Mozart’s Requiem. When he died on 5 December 1791, the composer had finished the Introït and the Kyrie and established a large proportion of the content for the following five numbers, from the Dies Irae to the Confutatis.

This work has since given rise to countless theories, a host of unfinished pages and some splendid interpretations above all; it compels both audience and performers, reaching us almost intact in the form left behind by Mozart. As if these last notes, from the dying composer’s still-raised pen, were all the more precious.

 Productions of the Royal Opera.

The concert on November 23th 2024 was recorded by Futur Antérieur Production.

  • Genre Concert
  • Period 18th century
  • Collection Château de Versailles Spectacles
  • pieces Requiem
  • Composer Mozart
  • Musical Ensemble Orchestre et Chœur de l'Opéra Royal
  • Conductor Théotime Langlois de Swarte
  • Soloists Marie Perbost . Mathilde Ortscheidt . Bastien Rimondi . Edwin Fardini . José-Antonio Salar-Verdú 
  • Duration 1h23

Mozart
Requiem

Marie Perbost . Mathilde Ortscheidt . Bastien Rimondi . Edwin Fardini . José-Antonio Salar-Verdú 

Chœur de l'Opéra Royal
Orchestre de l’Opéra Royal
Théotime Langlois de Swarte Conductor

An unfinished masterpiece, a musical testament, a timeless sacred composition that transcends the religious context – there is no shortage of superlatives to describe Mozart’s Requiem. When he died on 5 December 1791, the composer had finished the Introït and the Kyrie and established a large proportion of the content for the following five numbers, from the Dies Irae to the Confutatis.

This work has since given rise to countless theories, a host of unfinished pages and some splendid interpretations above all; it compels both audience and performers, reaching us almost intact in the form left behind by Mozart. As if these last notes, from the dying composer’s still-raised pen, were all the more precious.

 Productions of the Royal Opera.

The concert on November 23th 2024 was recorded by Futur Antérieur Production.

  • Genre Concert
  • Period 18th century
  • Collection Château de Versailles Spectacles
  • pieces Requiem
  • Composer Mozart
  • Musical Ensemble Orchestre et Chœur de l'Opéra Royal
  • Conductor Théotime Langlois de Swarte
  • Soloists Marie Perbost . Mathilde Ortscheidt . Bastien Rimondi . Edwin Fardini . José-Antonio Salar-Verdú 
  • Duration 1h23
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