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Ariodante, a masterpiece by Handel, tells a love story inspired by Orlando furioso, blending intrigue with a happy ending. The work stands out for its virtuosic arias and refined orchestration. Under the direction of Stefan Plewniak, soloists and orchestra fully reveal its expressive richness.
Mozart’s Requiem, an unfinished yet timeless masterpiece, combines sacred depth with emotional power. Since then, the work has captivated audiences through its many interpretations and the poignant impact of its final notes.
In Theodora, Handel presents a profoundly moving spiritual reflection on the martyrdom of a young Christian woman. Thomas Dunford and Lea Desandre offer a performance of exceptional intensity.
Mozart’s Requiem, an unfinished masterpiece, blends the sacred and the timeless. At his death, only certain sections were complete, leaving the rest shrouded in mystery. The work has since captivated audiences through its performances and the aura of the notes left by the composer.
Mozart / Jadin : Concertos for Pianoforte
New product!Musical geniuses often die young: Mozart and Hyacinthe Jadin, both taken too early, nevertheless left works marked by great maturity and a strong pre-Romantic spirit. Pianist Justin Taylor brings their compositions into dialogue, united by the freshness, youthfulness and inspiration that still define them today.
In 1782, Mozart triumphed in Vienna with his first German opera, bold and innovative. The work captivates with its energy and musical exoticism.
In 1725, Vivaldi composed a serenata to celebrate the marriage of Louis XV and Marie Leszczynska. Centred on the figures of Imeneo and Gloria, the work exalts union and majesty in a dazzling final duet. At once an artistic tribute and a diplomatic gesture, it radiates grace and virtuosity.
In 1735, Porpora challenged Handel with Polifemo, a baroque opera in which the love between Galatea and Acis is tested by the cyclops’s jealousy. Among gods and mortals, intrigue and passion are deftly interwoven under the inspired direction of Stefan Plewniak.
Requiem pour Louis Ier d'Espagne
In 1725, José de Torres honoured Louis I with his Misa de difuntos, blending French influences with the richness of Spanish Baroque. Francisco Corselli’s Dies Irae completes this tribute to Philip V. Alberto Miguélez Rouco brings these rare works vividly back to life at the Royal Chapel of Versailles.
In 1735, Porpora challenged Handel with Polifemo, a baroque opera in which the love between Galatea and Acis is tested by the cyclops’s jealousy. Among gods and mortals, intrigue and passion are deftly interwoven under the inspired direction of Stefan Plewniak.
This programme brings together Rameau’s Pygmalion and Pierre Iso’s Zémide, two works where love asserts its power with both intensity and delicacy. Under the inspired direction of Reinoud Van Mechelen, Baroque music and emotion intertwine in a dazzling, expressive performance.
In an Ottoman palace, noble captive Constance is desired by Pasha Selim, while her devoted lover Belmont braves danger to rescue her. Disguises, plots, and passion drive this lively Mozart comedy, performed in French under the direction of Gaétan Jarry.
Jean Adam Guilain left behind majestic and melancholic suites, now seldom performed. These are heard here for the first time on the Great Organs of Versailles. Thomas Ospital and the Ensemble Saint-Honoré perform them with great finesse.
Clérambault - Te Deum - Histoire de la femme adultère
Clérambault brings new life to the oratorio with L'histoire de la femme adultère. A nocte temporis, under the direction of Reinoud Van Mechelen, delivers a striking performance. The Choeur de Chambre de Namur shines in a grand and majestic Te Deum.
Comic opera-ballet in a prologue and three acts, with a libretto by Adrien-Joseph Le Valois d’Orville, first performed at the Grand Manège in Versailles in 1745.
Ernelinde - Princesse de Norvège
Princess Ernelinde, torn between her love for King Sandomir and her duty to her father, finds herself at the heart of a lyrical tragedy. Philidor's innovative composition foreshadows Gluck's reforms. Under the direction of Martin Wåhlberg, this opera, forgotten for two centuries, is brought back to life.
Suite d'Armide ou Jérusalem Délivrée
Suite d'Armide or Jerusalem Delivered, composed by Regent Philippe d'Orléans and first published in 1704, showcases exceptional musical talent. Leonardo García Alarcón and Cappella Mediterranea masterfully bring this largely forgotten genius to life.
Giovanni Battista Velluti, the last great Italian castrato, left his mark on the 19th century with his powerful, agile voice. A master of vocal ornamentation, he had a lasting influence on lyrical style. Franco Fagioli pays him a dazzling tribute, accompanied by the Orchestre de l'Opéra Royal.
In a Verona divided by family feuds, Zingarelli's Giulietta e Romeo tells the tale of two young lovers torn apart by circumstance. First performed in 1796, this opera, a favourite of Napoleon I, is directed by Gilles Rico, with sets by Roland Fontaine, costumes by Christian Lacroix, and conducted by Stefan Plewniak.
Ariodante, a masterpiece by Handel, tells a love story inspired by Orlando furioso, blending intrigue with a happy ending. The work stands out for its virtuosic arias and refined orchestration. Under the direction of Stefan Plewniak, soloists and orchestra fully reveal its expressive richness.
Mozart’s Requiem, an unfinished yet timeless masterpiece, combines sacred depth with emotional power. Since then, the work has captivated audiences through its many interpretations and the poignant impact of its final notes.
In Theodora, Handel presents a profoundly moving spiritual reflection on the martyrdom of a young Christian woman. Thomas Dunford and Lea Desandre offer a performance of exceptional intensity.
Mozart’s Requiem, an unfinished masterpiece, blends the sacred and the timeless. At his death, only certain sections were complete, leaving the rest shrouded in mystery. The work has since captivated audiences through its performances and the aura of the notes left by the composer.
Mozart / Jadin : Concertos for Pianoforte
New product!Musical geniuses often die young: Mozart and Hyacinthe Jadin, both taken too early, nevertheless left works marked by great maturity and a strong pre-Romantic spirit. Pianist Justin Taylor brings their compositions into dialogue, united by the freshness, youthfulness and inspiration that still define them today.
In 1782, Mozart triumphed in Vienna with his first German opera, bold and innovative. The work captivates with its energy and musical exoticism.
In 1725, Vivaldi composed a serenata to celebrate the marriage of Louis XV and Marie Leszczynska. Centred on the figures of Imeneo and Gloria, the work exalts union and majesty in a dazzling final duet. At once an artistic tribute and a diplomatic gesture, it radiates grace and virtuosity.
In 1735, Porpora challenged Handel with Polifemo, a baroque opera in which the love between Galatea and Acis is tested by the cyclops’s jealousy. Among gods and mortals, intrigue and passion are deftly interwoven under the inspired direction of Stefan Plewniak.
Requiem pour Louis Ier d'Espagne
In 1725, José de Torres honoured Louis I with his Misa de difuntos, blending French influences with the richness of Spanish Baroque. Francisco Corselli’s Dies Irae completes this tribute to Philip V. Alberto Miguélez Rouco brings these rare works vividly back to life at the Royal Chapel of Versailles.
In 1735, Porpora challenged Handel with Polifemo, a baroque opera in which the love between Galatea and Acis is tested by the cyclops’s jealousy. Among gods and mortals, intrigue and passion are deftly interwoven under the inspired direction of Stefan Plewniak.
This programme brings together Rameau’s Pygmalion and Pierre Iso’s Zémide, two works where love asserts its power with both intensity and delicacy. Under the inspired direction of Reinoud Van Mechelen, Baroque music and emotion intertwine in a dazzling, expressive performance.
In an Ottoman palace, noble captive Constance is desired by Pasha Selim, while her devoted lover Belmont braves danger to rescue her. Disguises, plots, and passion drive this lively Mozart comedy, performed in French under the direction of Gaétan Jarry.
Jean Adam Guilain left behind majestic and melancholic suites, now seldom performed. These are heard here for the first time on the Great Organs of Versailles. Thomas Ospital and the Ensemble Saint-Honoré perform them with great finesse.
Clérambault - Te Deum - Histoire de la femme adultère
Clérambault brings new life to the oratorio with L'histoire de la femme adultère. A nocte temporis, under the direction of Reinoud Van Mechelen, delivers a striking performance. The Choeur de Chambre de Namur shines in a grand and majestic Te Deum.
Comic opera-ballet in a prologue and three acts, with a libretto by Adrien-Joseph Le Valois d’Orville, first performed at the Grand Manège in Versailles in 1745.
Ernelinde - Princesse de Norvège
Princess Ernelinde, torn between her love for King Sandomir and her duty to her father, finds herself at the heart of a lyrical tragedy. Philidor's innovative composition foreshadows Gluck's reforms. Under the direction of Martin Wåhlberg, this opera, forgotten for two centuries, is brought back to life.
Suite d'Armide ou Jérusalem Délivrée
Suite d'Armide or Jerusalem Delivered, composed by Regent Philippe d'Orléans and first published in 1704, showcases exceptional musical talent. Leonardo García Alarcón and Cappella Mediterranea masterfully bring this largely forgotten genius to life.
Giovanni Battista Velluti, the last great Italian castrato, left his mark on the 19th century with his powerful, agile voice. A master of vocal ornamentation, he had a lasting influence on lyrical style. Franco Fagioli pays him a dazzling tribute, accompanied by the Orchestre de l'Opéra Royal.
In a Verona divided by family feuds, Zingarelli's Giulietta e Romeo tells the tale of two young lovers torn apart by circumstance. First performed in 1796, this opera, a favourite of Napoleon I, is directed by Gilles Rico, with sets by Roland Fontaine, costumes by Christian Lacroix, and conducted by Stefan Plewniak.