The difficulties of interpretation and the monumentality of Berlioz's Benvenuto Cellini make it a monster as feared as it is admired. An interpretative challenge brilliantly met by conductor John Eliot Gardiner and his musical forces, who present this mythical work in a version set in the heart of Ciceri's historic decor dating from 1837!
The Monteverdi choir and the Orchestre Révolutionnaire et Romantique
John Eliot Gardiner, conductor
Filmed in September 2019 at the Royal Opera of Versailles.
Directed by Sébastien Glas.
The flamboyant destiny of the Florentine sculptor Benvenuto Cellini, a misunderstood genius, gave Berlioz the energy to compose his first opera in 1836. It allowed him to identify with the hero of his work: a monumental struggle to create an extraordinary statue, Roman intrigues (well known to Berlioz who had just returned from Villa Medici) and the murder committed by the sculptor arouse dazzling pages in the composer. The powerful choirs evoking the Roman crowds or goldsmiths and the incredibly daring orchestral parts seem utterly innovative. The difficulties of interpretation and the monumentality of Benvenuto Cellini make him a monster both feared and admired. John Eliot Gardiner and his cohort of musicians, all accomplished devotees of Berlioz, are celebrating the year of Berlioz with a presentation of this legendary piece, in a specially staged version, with the title role performed by today’s most spellbinding singer, the tenor Michael Spyres, surrounded by a dizzying distribution. The opera is performed on the historic 1837 set, recreated specially in the Royal Opera: the perfect setting for Benvenuto Cellini! Berlioz and Cellini triumph at the Palace of Versailles, dedicated "To all the glories of France"!
You may find the booklet, available in French and English, by clicking here
You may find this recording on our online shop by clicking here
The Monteverdi choir and the Orchestre Révolutionnaire et Romantique
John Eliot Gardiner, conductor
Filmed in September 2019 at the Royal Opera of Versailles.
Directed by Sébastien Glas.
The flamboyant destiny of the Florentine sculptor Benvenuto Cellini, a misunderstood genius, gave Berlioz the energy to compose his first opera in 1836. It allowed him to identify with the hero of his work: a monumental struggle to create an extraordinary statue, Roman intrigues (well known to Berlioz who had just returned from Villa Medici) and the murder committed by the sculptor arouse dazzling pages in the composer. The powerful choirs evoking the Roman crowds or goldsmiths and the incredibly daring orchestral parts seem utterly innovative. The difficulties of interpretation and the monumentality of Benvenuto Cellini make him a monster both feared and admired. John Eliot Gardiner and his cohort of musicians, all accomplished devotees of Berlioz, are celebrating the year of Berlioz with a presentation of this legendary piece, in a specially staged version, with the title role performed by today’s most spellbinding singer, the tenor Michael Spyres, surrounded by a dizzying distribution. The opera is performed on the historic 1837 set, recreated specially in the Royal Opera: the perfect setting for Benvenuto Cellini! Berlioz and Cellini triumph at the Palace of Versailles, dedicated "To all the glories of France"!
You may find the booklet, available in French and English, by clicking here
You may find this recording on our online shop by clicking here