Who wasn't captivated by the love story of Romeo and Juliet? Napoleon, the great man of war with a little-known passion for the arts and Italian opera, was no exception! Franco Fagioli and Adèle Charvet reprise the formidable duo of castrato Crescentini and the adored Grassini in this opera by Zingarelli.
An opera in three acts to a libretto by Giuseppe Maria Foppa, premièred at La Scala in Milan in 1796.
Chœur de l’Opéra Royal
Orchestre de l’Opéra Royal
Under the high patronage of Aline Foriel-Destezet
Stefan Plewniak Conductor
Franco Fagioli Romeo
Adèle Charvet Juliet
Krystian Adam Evrard
Valentino Buzza Théobald
Nicolò Balducci Gilbert
Florie Valiquette Mathilde
Gilles Rico Stage director
Roland Fontaine Sets
Christian Lacroix Costumes
Bertrand Couderc Lighting
Napoleon's favorite opera
Napoleon's fervor for opera was extreme. Conquered by the opera Romeo and Juliet, this great music lover brought to him a young Italian star, the contralto Giuseppina Grassini, and the most dazzling castrato: Girolamo Crescentini, the only singer to move the Emperor to tears. Invited to France from 1806 to 1812, Crescentini enjoyed the glorious evenings of the Chapelle Impériale at the Tuileries, in the company of Grassini, appointed First Cantatrice to His Majesty the Emperor - and his mistress. Napoleon's musical passion was Italian opera: 143 concerts by Italian soloists at court between 1810 and 1815 bear witness to this!
Grassini and Crescentini's workhorse was Zingarelli's opera Giulietta e Romeo, premiered at La Scala in 1796, and performed many times before Napoleon in Paris by his two favorite singers. “They excite heroism in me”, said Napoleon. With Franco Fagioli and Adèle Charvet, this duo of Empire stars is brought back to life, resurrecting Zingarelli's totally forgotten opera, even though it was a triumph throughout Europe for three decades, thanks to a sumptuous Bel Canto: this is Napoleon's Opera !
Production Opéra Royal / Château de Versailles Spectacles
The Centre de musique baroque de Versailles is making available its collection of sets designed by Antoine Fontaine.
An opera in three acts to a libretto by Giuseppe Maria Foppa, premièred at La Scala in Milan in 1796.
Chœur de l’Opéra Royal
Orchestre de l’Opéra Royal
Under the high patronage of Aline Foriel-Destezet
Stefan Plewniak Conductor
Franco Fagioli Romeo
Adèle Charvet Juliet
Krystian Adam Evrard
Valentino Buzza Théobald
Nicolò Balducci Gilbert
Florie Valiquette Mathilde
Gilles Rico Stage director
Roland Fontaine Sets
Christian Lacroix Costumes
Bertrand Couderc Lighting
Napoleon's favorite opera
Napoleon's fervor for opera was extreme. Conquered by the opera Romeo and Juliet, this great music lover brought to him a young Italian star, the contralto Giuseppina Grassini, and the most dazzling castrato: Girolamo Crescentini, the only singer to move the Emperor to tears. Invited to France from 1806 to 1812, Crescentini enjoyed the glorious evenings of the Chapelle Impériale at the Tuileries, in the company of Grassini, appointed First Cantatrice to His Majesty the Emperor - and his mistress. Napoleon's musical passion was Italian opera: 143 concerts by Italian soloists at court between 1810 and 1815 bear witness to this!
Grassini and Crescentini's workhorse was Zingarelli's opera Giulietta e Romeo, premiered at La Scala in 1796, and performed many times before Napoleon in Paris by his two favorite singers. “They excite heroism in me”, said Napoleon. With Franco Fagioli and Adèle Charvet, this duo of Empire stars is brought back to life, resurrecting Zingarelli's totally forgotten opera, even though it was a triumph throughout Europe for three decades, thanks to a sumptuous Bel Canto: this is Napoleon's Opera !
Production Opéra Royal / Château de Versailles Spectacles
The Centre de musique baroque de Versailles is making available its collection of sets designed by Antoine Fontaine.